Art Chronology part 1 1993 to 2007 Juan D. Estrada

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Cicano Art : 1992-1995

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  Chicano Art and a Spiritual Quest in Self-Discovery 1992-1995  Juan D. Estrada (John Zender) During the 1990s, I created many murals in ethnically diverse communities, including Asian, African-American, Central American, and others.  Through these experiences, I learned how symbolism can be used to tell a story and how a group can unite behind a shared experience.  It also caused me to question my own identity, as I had previously been more connected to the hip-hop movement.  This led me to study the work of Chicano Artists, who explored their personal experiences with culture, displacement, and family life through bold, brightly-colored images of religion, cars, masks, and ancient relics.  Since 1992, I have incorporated some of these techniques into my work.   I started painting images of myself while gazing at an ancient Aztec mask and questioning my identity with the question, "who am I?".  Despite being born Mexican American, I grew up as a nomad due to the early demis
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"Galactic Man" 2007 Mixed Media on Canvas 48X34 inches. Juan D. Estrada  As a child growing up in the 1970s, I was captivated by the pervasive notion of a futuristic space-age world awaiting us by the turn of the millennium. Films depicting flying cars and bustling colonies on distant planets adorned theater screens and late-night television alike. However, as I matured, it became evident that technological advancement was rapidly outpacing our visions. The transition from pagers to handheld cellular devices was swift, while computers evolved from cumbersome behemoths to sleek wristwatch-sized marvels. Despite these leaps, urban landscapes remained largely unchanged, overshadowed by persistent cultural and political challenges. I observed a disheartening trend: as information became more accessible, the collective drive for innovation seemed to wane. Once vibrant forms of entertainment like movies and music began to homogenize, losing their distinctiveness and vitality. In th
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Current Work: Triunity series.

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 Triunity : The  Fusion of Body, Soul, and Spirit: A Harmonious Symphony on Canvas I am constantly fascinated by the interconnectedness of the body, soul, and spirit. In my latest series, "Triunity," I sought to capture the essence of this profound fusion. The works portray a face, a vessel that houses the intricate layers of our being, set against an abstract background painted in warm, vibrant hues that symbolize the depth and richness of the human experience. The face, the physical representation of our body, is the composition's focal point. Every brushstroke meticulously applied in paint aims to convey the individuality and uniqueness of the subject. The subtle play of light and shadow reveal the contours and lines that tell stories of strength, vulnerability, and resilience. We interact with the physical world through our bodies, experiencing pleasure, pain, and everything in between. Moving beyond the physical, the abstract background takes center stage, represent
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