Art Chronology part 1 1993 to 2007 Juan D. Estrada

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"Galactic Man" 2007 Mixed Media on Canvas 48X34 inches. Juan D. Estrada  As a child growing up in the 1970s, I was captivated by the pervasive notion of a futuristic space-age world awaiting us by the turn of the millennium. Films depicting flying cars and bustling colonies on distant planets adorned theater screens and late-night television alike. However, as I matured, it became evident that technological advancement was rapidly outpacing our visions. The transition from pagers to handheld cellular devices was swift, while computers evolved from cumbersome behemoths to sleek wristwatch-sized marvels. Despite these leaps, urban landscapes remained largely unchanged, overshadowed by persistent cultural and political challenges. I observed a disheartening trend: as information became more accessible, the collective drive for innovation seemed to wane. Once vibrant forms of entertainment like movies and music began to homogenize, losing their distinctiveness and vitality. In th...
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 "Luna Y Sol" Diptych Acrylic on Canvas 2024  J, D. Estrada Symbolic painting delves into the intricate interplay between masculine and feminine energies, encapsulating a myriad of contrasting dynamics. The feminine essence is personified by the enigmatic allure of the moon, characterized by intricate cogitation and remarkable powers of rationalization. Meanwhile, the masculine presence radiates akin to the sun, harnessing fiery energy capable of both construction and destruction. Executed through layers of mixed media, employing warm hues of acrylic paints, accentuated by spray-painted highlights, and enriched with expressive gestures using oil sticks, the artwork embodies a captivating exploration of gender symbolism.
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Cicano Art : 1992-1995

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  Chicano Art and a Spiritual Quest in Self-Discovery 1992-1995  Juan D. Estrada (John Zender) During the 1990s, I created many murals in ethnically diverse communities, including Asian, African-American, Central American, and others.  Through these experiences, I learned how symbolism can be used to tell a story and how a group can unite behind a shared experience.  It also caused me to question my own identity, as I had previously been more connected to the hip-hop movement.  This led me to study the work of Chicano Artists, who explored their personal experiences with culture, displacement, and family life through bold, brightly-colored images of religion, cars, masks, and ancient relics.  Since 1992, I have incorporated some of these techniques into my work.   I started painting images of myself while gazing at an ancient Aztec mask and questioning my identity with the question, "who am I?".  Despite being born Mexican American, I grew up...
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