Juan. D. Estrada

 "Luna Y Sol" Diptych Acrylic on Canvas 2024  J, D. Estrada Symbolic painting delves into the intricate interplay between masculine and feminine energies, encapsulating a myriad of contrasting dynamics. The feminine essence is personified by the enigmatic allure of the moon, characterized by intricate cogitation and remarkable powers of rationalization. Meanwhile, the masculine presence radiates akin to the sun, harnessing fiery energy capable of both construction and destruction. Executed through layers of mixed media, employing warm hues of acrylic paints, accentuated by spray-painted highlights, and enriched with expressive gestures using oil sticks, the artwork embodies a captivating exploration of gender symbolism.

  Juan Daniel Estrada  aka John Zender Title: “High Vibrations” Size:  24X24 inches Medium:  Acrylic on Canvas Year: 2023 In the realm of religious institutions, there exists a common thread—a resonance that transcends denominational boundaries. This shared frequency is one of a higher spiritual state, a vibration that permeates the core beliefs of most faiths. The essence of this elevated resonance is palpable in the act of prayer, a universal conduit for connecting with the universe and invoking the influence of a higher power. Through prayer, believers seek intervention and solace, reaching out to a force beyond themselves, a force that is both transcendent and omnipresent. Hope, too, is a potent force in this spiritual symphony. It serves as a beacon for the soul, guiding it beyond the limitations imposed by the tangible world. In the realm of the senses, hope allows the mind to transcend the boundaries of what is immediately perceived and opens the door to the realm of the unknown

 Triunity : The  Fusion of Body, Soul, and Spirit: A Harmonious Symphony on Canvas I am constantly fascinated by the interconnectedness of the body, soul, and spirit. In my latest series, "Triunity," I sought to capture the essence of this profound fusion. The works portray a face, a vessel that houses the intricate layers of our being, set against an abstract background painted in warm, vibrant hues that symbolize the depth and richness of the human experience. The face, the physical representation of our body, is the composition's focal point. Every brushstroke meticulously applied in paint aims to convey the individuality and uniqueness of the subject. The subtle play of light and shadow reveal the contours and lines that tell stories of strength, vulnerability, and resilience. We interact with the physical world through our bodies, experiencing pleasure, pain, and everything in between. Moving beyond the physical, the abstract background takes center stage, represent

Transcending Boundaries: Spiritual Abstraction 1996-2007 In 1996, spiritual abstraction became a gateway to explore the depths of the human experience, intertwining elements of the divine, scientific inquiry, and the influence of great artists. Inspired by the visionary works of Roberto Matta, Wilfredo Lam, and Fernando de Szyszlo, biblical spirituality, and scientific morphology, I reflected on the harmonious fusion of these diverse influences. Like Roberto Matta, I aimed to delve into the realm of the subconscious, capturing spirituality's ethereal and intangible aspects. Matta's surrealistic style, fluid forms, and dreamlike landscapes, helped guide my brush to create an otherworldly composition transcending reality's confine. Within this transcendent realm, I found space to explore the profound connection between spirituality and art. Wilfredo Lam's influence manifests in my artwork through exploring cultural and symbolic elements. Drawing from his Afro-Cuban roots,

Welcome to the second part of my Art Chronology, where I explore my artistic journey through different styles.  From 2002-2010, I focused on discovering my identity and how spirituality plays a significant role in my life.  From 2010-2017, I delved into the world of Urban Chicano culture and how each person has a unique story. Tattoos serve as open books of those stories, and I represented the fusion of their auras through abstract backgrounds.  From 2017 until now, I have been exploring Triunity, Body, Soul, and Spirit, which express the unknown and the unseen while highlighting how humanity interacts with each other.

  Chicano Art and a Spiritual Quest in Self-Discovery 1992-1995  Juan D. Estrada (John Zender) During the 1990s, I created many murals in ethnically diverse communities, including Asian, African-American, Central American, and others.  Through these experiences, I learned how symbolism can be used to tell a story and how a group can unite behind a shared experience.  It also caused me to question my own identity, as I had previously been more connected to the hip-hop movement.  This led me to study the work of Chicano Artists, who explored their personal experiences with culture, displacement, and family life through bold, brightly-colored images of religion, cars, masks, and ancient relics.  Since 1992, I have incorporated some of these techniques into my work.   I started painting images of myself while gazing at an ancient Aztec mask and questioning my identity with the question, "who am I?".  Despite being born Mexican American, I grew up as a nomad due to the early demis